New Arrivals Archives - Spirits in the Wind Gallery

Susan Slomski

My love for oil painting incorporates my love for the landscape, for color, light and place.

Susan began studying oil painting in high school. Her first large scale still-life won The Golden Key Award from the Boston Globe. A portfolio review of her work won the Blue Ribbon from the Massachusetts College of Art. Susan went on to study fine art, majoring in Fine Art and oil painting at Skidmore College in Saratoga Springs, NY. There she studied with artists Jeff Elgin and Pat Cauley and minored in Art History. In the late 90’s Susan returned to Worcester, MA for a brief period and studied with professional artist and master color theorist Bill Griffiths at the Worcester Art Museum. Her work with Bill Griffiths strengthened her love for color and color theory which she employs in every piece.

Born and raised in Massachusetts, Susan moved to New Mexico following her Graduate Degree from Lesley College in the early 1990’s to be immersed in the landscape that inspires her and draws her in. In 1999 her work took her to Colorado where the light and landscape continue to shape her work. Susan is a member of the Heritage Fine Arts Guild and a former juried member of the Littleton Artist Guild, both in Littleton, Colorado, where she exhibits work locally.

"In the Company of Giants'An early morning hike in Zion National Park afforded me this view of high canyon walls with the deep shadows of neighboring cliff, Angels Landing. This is the second exploration of this type of composition, something large and dominant in the foreground with a clear, uninhibited blue sky, a variation from compositions that explore the great distances of the west. This painting is created with under painting that I employ in all of my works. Color theory Tetradic Rectangle Triad III is the color palette for this painting. Oil on Canvas 24 x 36 $4000 — “In the Company of Giants”, Framed Oil on Canvas 24×36″ $4000 An early morning hike in Zion National Park afforded me this view of high canyon walls with the deep shadows of neighboring cliff, Angels Landing. This is the second exploration of this type of composition, something large and dominant in the foreground with a clear, uninhibited blue sky, a variation from compositions that explore the great distances of the west. This painting is created with under painting that I employ in all of my works. Color theory Tetradic Rectangle Triad III is the color palette for this painting. Oil on Canvas 24 x 36 $4000

Pedernal ViewThe high desert of norther New Mexico is one of my favorite places. I sat amongst the cholla and chamisa to sketch this view of the Pedernal in Abiquiu, NM. Under painting employed and Color theory Tetradic Rectangle V is used for the palette choices. Oil on Canvas 12 x 24 $2200 — “Pedernal View”, Framed Oil on Canvas $2022 The high desert of norther New Mexico is one of my favorite places. I sat amongst the cholla and chamisa to sketch this view of the Pedernal in Abiquiu, NM. Under painting employed and Color theory Tetradic Rectangle V is used for the palette choices. Oil on Canvas 12 x 24 $2200

“Into the Mystic”, Framed oil on canvas. 18×24 $2400 As evening approached in the high desert, so did too did the storm clouds, creating this dramatic effect of light and a sense of quiet and calm. I loved how the road went off into the distance, drawing me toward what is beyond, what is just out of view, other roads to take and canyons to explore. Under painting and Color Theory Tetradic Rectangle V. Oil on Canvas 18 x 24 $2400

“Winter Visit”, Oil on Board 6×6 $150 Heading out to my studio following a snowfall, I found these small tracks that led toward and away from the bare aspen tree. Capturing the intimacy of this moment, I quickly painted the scene. Heavy paint is applied in an impasto style to capture a gestural feeling. Color Theory Tetradic Square II is used for the color palette. Oil on Canvas 12 x 12 $400

Carl Farmer

CF1-01 Courting Cranes $2800 Height 17 inches, forged/fused copper and steel wire, Patina:Flame, laquer finish on a cherry wood base

CF1-03 Pine Tree $2400 Height 15 inches, Forged, fused steel wire, Patina: Chemical laquer finish, Chalceedony stone base

Gregory Mayse

Gregory Mayse

Being surrounded by the majestic landscapes, wildlife and western culture of the Rocky Mountains has had a tremendous influence on the life and art of Gregory Mayse.

Gregory is the owner of Wolf River Studio in Fort Collins, Colorado.

He has always been attracted to realism in art and it is reflected in his painting style.

His works are showcased in storytelling pieces that could be about a moment in the day of a cowboy, Native American or mountain man. They can also capture the energy of a wild mustang racing across the landscape.

For the past 20 years, he has loved living in northern Colorado. Gregory has

applied his skills as a professional photographer, painter, graphic designer, writer, and illustrator to a well-rounded 35 year creative career.

For the past several years, Gregory has spent time traveling to photograph cowboys, Native Americans, ranchers, period reenactors and models dressed in 1800’s clothing and gear replicating the Old West. He uses these as reference images for his paintings.

His works hang in the homes of collectors across the country. They have been juried into national fine art shows and used for covers of publications.

Primarily a self-taught artist, some of his inspirations and influences have been in the works of Frederic Remington, Charles Russell, John Seerey-Lester, Howard Terpning, Carl Rungius and Bill Hughes. In recent years Gregory has studied with Dave Santillanes, Heather Coen, Kate Dardine and Jeanne Mackenzie.

“GM1-9 Discovery of Canteen” Framed oil 12×24 $2400

GM1-3 “Trouble’s Coming.” 16×20 Oil Framed $2520

**Sold** -GM1-7 “Gratitude” 11×14 oil on canvas $1300

GM1-6 “The Arrival of Sorrow” 18×24 oil on canvas Call for Availability

GM1-14 “Pursuit” 18×24 framed oil on canvas. $3495 This has the capacity to be the companion piece to “Outrunning the Posse”. Mayse has even added in an Ace of Spades flying from the other painting to just in front of the lead horse to tie them together. In this piece, he worked to match the lighting, sky and background of “Out Running the Posse”. Works can be procured together or apart and would be a spectacular addition to your collection.

GM1-5 “Outrunning the Posse” 24×24 oil on canvas $4300 Companion piece to the “Pursuit”- Mayse uses dramatic storytelling in both pieces. His attention to detail in all areas of the painting allows the viewer to focus on details and then lean back out to see the overall painting’s theme Mayse captures when creating these stunning oils. Down to the minute details he brings you in with dynamic movement and authentic representation of the “old West” .

GM1-4 “The Last Stand” 15×30 oil on canvas $3600

GM1-2 “Morning Contemplation” 15×30 oil on canvas $3490

GM1-11 “Eureka!” 12×18 framed with gold leaf, oil on canvas. A prospector strikes it big while panning in the canyon. School of Mines students or parents, this would be a memorable addition to your collection! $1595

GM1-12 “In the Glow of Morning” 18×24 framed oil on canvas. This piece was based off of a reference photo of a pair of the Salt River Wild Horse near Scottsdale, Arizona. $3275

GM-34 “A Little Snuggle Time”-Framed oil- $775

GM-31 “Uncompromising Fillies’ Framed oil, $1569

GM-32 “Trailside Troubadours”, Framed oil- $3495

Lindsay Ternes

In My Words:

I’m a telemark skier, backpacker, trail runner, and animal lover. Playing outside is where I’m happiest, and my creativity soars in sunshine. Long before I studied art in the mountains of Aix-en-Provence, France, I fell madly in love with painting in nature. As a mother of two young girls, my joyous return to plein air is heightened by the opportunity to share the value of the arts and the beauty of the outdoors with my growing family. When I hike my easel around the trails near our home in Boulder and beyond, I quickly work to capture the little story in the scenes I discover. I’m lucky to call this stunning location home, and feel compelled to share the light and curves of this amazing place with eyes near and far.

Bio:

Lindsay Jane Ternes is an award-winning artist based in Boulder, Colorado. Born in Billings, Montana and raised in Colorado Springs, Colorado, Lindsay’s passion for art was apparent from a young age and never waned. At the University of Denver she majored in Marketing and Studio Art to equip herself for a future in fine art. While there Lindsay focused on figure painting, later rediscovering her love for landscape painting while studying at The Marchutz School of Fine Arts in Aix-en-Provence. Her time in Southern France greatly influences her scene selection and light interpretation today.

After years away from a serious studio discipline, Lindsay committed herself to becoming a professional artist while raising her young children. She typically works on location, painting “en plein air,” in and around her home in Boulder, Colorado, but you’ll also find her painting in Glacier National Park each summer. Lindsay’s work can be found at Spirits in the Wind Gallery in Golden, Colorado, as well as Frame of Reference Fine Art in Whitefish, Montana.

LT2-01 Lost Lake Blues 9x12 oil $400 — SOLD LT2-01 Lost Lake Blues 9×12 oil

SOLD LT2-02 Rocky Mountain High12x12 oil SOLD

SOLD LT2-04 Love Letter to A-Basin 8×10 oil

LT2-34 “Breakthrough” 8×8, plein air oil on panel, $450

LT2-36 “Golden Hour Stroll”, 9×12 plein air oil on panel, $650

LT2-43 Snowmass Mountain 8'x16" plein air on panel $800 — LT2-43 Snowmass Mountain 8’x16″ plein air on panel , $800

LT2-44 “Good Morning Snowmass” 8×8 plein air on panel, $550

LT2-35 “Quality Trail Time” 11×14, plein air on panel, $700

LT@-41 “Late Afternoon Glow at Glacier Outfitters” 10″x8″ plein air oil on panel, $600

LT2-38 “Shifting Light Beyond the Lift” 9″x12″ plein air on panel, $700

LT2-40 “Aspen Mountain View” 9″x12″ plein air oil on panel, $700

LT2-45 “Sunset Layers from Spiral Point” 8″x8″ plein air oil on panel, $550

LT2-46 “Top of Elk Camp Colors” 9″x12″ plein air oil on panel, $750

LT2-27 “Fall on the Farm” – 8×10″ plein air oil on panel, framed $400

LT2-39 “Summer Color at Cure Organic Farm Stand” 9″x12″ plein air on panel framed, $700

SOLD LT2-26 “Last Gold of the Season” – 8×8″ plein air oil on panel,

SOLD LT2-25 “Fresh Fall Hay off the Peak to Peak” – 8×10″ plein air oil on panel

SOLD “Hitting Balls in Boulder” – 11×14″ plein air oil on panel, Martin Park during the Boulder Plein Air Festival.

SOLD “Old Farm Truck” – 12×12″ plein air oil on panel FRAMED IN BLACK AND GOLD, $600. Painted en plein air at my friend’s sheep farm east of Boulder during the Boulder Plein Air Festival.

SOLD LT2-16 “Foggy Flagstaff” 8×10 watercolor

SOLD LT2-19 “St Mary Alpenglow” – 8×8″ plein air oil on panel, $275. Painted en plein air from Going-to-the-Sun Road in Glacier National Park during the Plein Air Glacier event.

LT2-28 “Dreamy Fall Hike in Summit” 12″x9″ Plein air oil , Framed 19″x16″ $500

SOLD LT2-07 Heading to the High Country 8 x 10 oil

New Arrivals

Our collection for your consideration continues to evolve as our artists find inspiration and create new works. Their inspiration comes from many facets of their experiences and emotions.

Our talented Mitch Caster finds inspiration in Colorado landscapes, animals and people. Mitch has painted the local Native American POW WOW’s that provide the community an opportunity to share their stories, beliefs and beautiful culture. Caster captures an intensity of movement and color with the eye of observation. We are able to find a connection to ourselves and others through the eyes of Mitch’s incredible talent.

Private Collection: MC1-21 Passing on Tradition Framed Oil 24×12 $2300

MC1-19 Dancing on the Wind Framed Oil 18×14 $1750

Read history. Immersing oneself deeper into the past of a culture creates a level of understanding that makes the experience of enjoying and relating to a painting that much more intense. Recently, I read about the position of a woman in the Cherokee nation. When I read this, I had to remember is a historic account of an observation of the 1700’s. This culture was ever resilient, as they had to relocate west from their ancestral grounds.

“According to tribal history, Cherokee people have existed since time immemorial. Our oral history extends back through the millennia. It’s recorded that our first European contact came in 1540 with Hernando DeSoto’s exploration of the southeastern portion of our continent.” https://cherokee.org/About-The-Nation/History

Women in Cherokee society were equal to men. They could earn war titles and sit on counsels. The Clan’s kinship followed the mother’s side of the family. The children grew up in the Mother’s house and it was the duty of the Uncle on the Mother’s side to teach the children how to hunt, fish and perform certain tribal duties. Women cared for children, cooked, tended the home, weaved, tanned hides and many other tasks for the community. The girls learned by example how to be warriors, healers, tell the oral stories, trade and dance. They became the mothers and wives that were the core of the Cherokee Nation.

Mitch Caster’s gives us the opportunity to peek into his experience at the Pow wow. We can appreciate his genius in the medium, take in the history and fully spend a moment in awe of the subject, history and beauty. One may never tire looking at the masterful use of color, the content and the history. His work is an asset to your home.

Susan Slomski

Carl Farmer

Gregory Mayse

Lindsay Ternes

New Arrivals

New Wildlife Paintings by Sonia Reid

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