Spirits in the Wind Gallery

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Paintings

Paintings- Andrew Busch

 

Three Horizons, Moab The skyline west of the Rockies is like nowhere else in this country. Pillars of red stone stand scattered through the land. The Rockies tower blue above them. My children groan as I get out of the car for yet another picture.
Monument Canyon On the western slope of Colorado, the landscape begins to look a bit more like Moab. The hanging canyons of Colorado National Monument are stunning.
Chautauqua Trail I sometimes forget how beautiful Boulder can be. Today, I went hiking in Chautauqua park. I didn’t get very far up the trail before deciding to paint. With all the rain this year, the colors were on full display.
Open Space in the Fall Walking the open spaces centers me. Nature helps put things in perspective. I’m so thankful for these pockets of calm in our community. Pearce Park
Surrounded by Color One of the iconic views of Golden–looking West from the bridge on Washington. Even after years of painting it, this view doesn’t get old.
Morning Vigil Cradling my morning coffee in my hands, I sit by the mountain stream watching the sun slowly paint the rock face orange and red. Hay creek, near the Twin Eagles trailhead.
Clear Creek, Golden – small One of the iconic views of Golden–looking West from the bridge on Washington. Even after years of painting it, this view doesn’t get old.
Dry Gulch This gulch is a small walk from the Eastern entrance. Pinyon juniper and sage brush seem to grow from the rocks themselves: Colorado National Monument

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Filed Under: Andrew Busch, Events, Paintings

Andrew Busch

Andrew Busch

 

“As an impressionist landscape painter, I find my inspiration in the beauty of Colorado’s mountain streams and Southwest skies. When I paint, I try to convey both the visual essence of the scenery and my emotional connection with the land. I want to invite the viewer to experience the same peace and contentment I feel when painting, and possibly, to find their own story within the landscape.

 

By intentionally leaving certain details open to interpretation, I encourage viewers to actively engage with the artwork. Working primarily with palette knives and paint scrapers, I build up my paintings layer by layer. Through the additive process, I explore texture, color, and mark-making.

 

My hope is that my paintings transport viewers to the serene and awe-inspiring landscapes of Colorado, enabling them to pause, reflect, and find solace in the beauty that surrounds us.”

 

Andrew currently resides in Arvada, Colorado. He finds his artistic inspiration in the breathtaking landscapes that surround him. Embracing the “plein air” tradition, he ventures out to paint smaller works on location, capturing the essence of the Colorado scenery. For his larger pieces, Andrew uses the sketches and photographs created during his explorations and brings the scenes to life in his studio.

 

Drawing on a range of palette knives and paint scrapers, Andrew employs loose and expressive marks in his paintings, creating a distinct texture and visual interest. He meticulously adds layer upon layer to his artwork, and then skillfully scrapes back into the work, resulting in captivating depth and complexity.

 

Andrew’s artistic journey began with a solid foundation in both Math and Art, earning degrees from Calvin University. He received classical training in representational art, honing his skills in drawing and painting with a focus on realism. During this time, he even shared his expertise by teaching portraiture. However, his move to the Southwest ignited a transformative shift in his style, propelling him from realism into the heart of Impressionism.

 

Over the past several years, Andrew dedicated himself to developing his loose, energetic style, seeking guidance from various landscape and plein air painters. While he has been engaged in the art world for decades, he considers himself at the beginning of his professional artistic journey. Despite this, his artwork has already found a home in the collections of private art enthusiasts throughout the United States.

 

Paintings

 

 

 

AB1-01 “Three Horizons”-24″x30″ Framed acrylic, $800

 

Three Horizons, Moab

The skyline west of the Rockies is like nowhere else in this country. Pillars of red stone stand scattered through the land. The Rockies tower blue above them. My children groan as I get out of the car for yet another picture.

 

 

 

 

AB1-09 “Monument Canyon”-20″x17″ Framed Acrylic, $400

Monument Canyon

On the western slope of Colorado, the landscape begins to look a bit more like Moab. The hanging canyons of Colorado National Monument are stunning.

 

 

 

 

 

AB1-08 “Chautauqua Trail”-20″x17″ Framed Acrylic- $400

 

Chautauqua Trail

I sometimes forget how beautiful Boulder can be. Today, I went hiking in Chautauqua park. I didn’t get very far up the trail before deciding to paint. With all the rain this year, the colors were on full display.

 

 

 

 

AB1-07 “Open Space in the Fall”- 20″x17″ Framed Acrylic-$400

 

Open Space in the Fall

Walking the open spaces centers me. Nature helps put things in perspective. I’m so thankful for these pockets of calm in our community. Pearce Park

 

 

 

 

 

AB1-02 “Surrounded By Color” -24″x30″ Framed Acrylic-$800

 

Surrounded by Color

One of the iconic views of Golden–looking West from the bridge on Washington. Even after years of painting it, this view doesn’t get old.

 

 

 

 

 

 

 

AB1-05 “Morning Vigil” – 20″x17″ Framed Acrylic-$400

 

Morning Vigil

Cradling my morning coffee in my hands, I sit by the mountain stream watching the sun slowly paint the rock face orange and red. Hay creek, near the Twin Eagles trailhead.

 

 

 

 

 

 

AB1-03 “Clear Creek, Golden” -20″x17″ Framed Acrylic-$400

 

Clear Creek, Golden

One of the iconic views of Golden–looking West from the bridge on Washington. Even after years of painting it, this view doesn’t get old.

 

 

 

 

 

AB1-04 “Dry Gulch” -20″x17″ Framed Acrylic-$400

Dry Gulch

This gulch is a small walk from the Eastern entrance. Pinyon juniper and sage brush seem to grow from the rocks themselves: Colorado National Monument

Filed Under: Andrew Busch, Andrew Busch

Bennie Woods

Filed Under: Bennie Woods, Bennie Woods

Tricia Bass

Filed Under: Tricia Bass, Tricia Bass

Allen Voss

ALLEN VOSS

Allen resides in Littleton, CO and has been representing his work locally since 2021. He has shown in such venues as Little Art Guild, Lone Tree Arts Center and Golden Foothills art Center. He specializes in oil landscapes, still life and portraits in oils. He is graduate of the Carder Art Academy and continued to gain his skill set under the instruction of Paul Ingbretson from Boston School and Andres Tishler working on his approach to landscapes. He is inspired by his travels, nature and life experiences. Allen views his current body of work as a constant and relentless pursuit of the “breathtaking experience”. His interest in painting and his creations in oil paintings of quality work are his passion and commitment.

 

 

 

Filed Under: Allen Voss, Allen Voss, Allen Voss

Susan Slomski

My love for oil painting incorporates my love for the landscape, for color, light and place.

Susan began studying oil painting in high school. Her first large scale still-life won The Golden Key Award from the Boston Globe. A portfolio review of her work won the Blue Ribbon from the Massachusetts College of Art. Susan went on to study fine art, majoring in Fine Art and oil painting at Skidmore College in Saratoga Springs, NY. There she studied with artists Jeff Elgin and Pat Cauley and minored in Art History. In the late 90’s Susan returned to Worcester, MA for a brief period and studied with professional artist and master color theorist Bill Griffiths at the Worcester Art Museum. Her work with Bill Griffiths strengthened her love for color and color theory which she employs in every piece.

Born and raised in Massachusetts, Susan moved to New Mexico following her Graduate Degree from Lesley College in the early 1990’s to be immersed in the landscape that inspires her and draws her in. In 1999 her work took her to Colorado where the light and landscape continue to shape her work. Susan is a member of the Heritage Fine Arts Guild and a former juried member of the Littleton Artist Guild, both in Littleton, Colorado, where she exhibits work locally.

"In the Company of Giants'An early morning hike in Zion National Park afforded me this view of high canyon walls with the deep shadows of neighboring cliff, Angels Landing. This is the second exploration of this type of composition, something large and dominant in the foreground with a clear, uninhibited blue sky, a variation from compositions that explore the great distances of the west. This painting is created with under painting that I employ in all of my works. Color theory Tetradic Rectangle Triad III is the color palette for this painting. Oil on Canvas 24 x 36 $4000
“In the Company of Giants”, Framed Oil on Canvas 24×36″ $4000 An early morning hike in Zion National Park afforded me this view of high canyon walls with the deep shadows of neighboring cliff, Angels Landing. This is the second exploration of this type of composition, something large and dominant in the foreground with a clear, uninhibited blue sky, a variation from compositions that explore the great distances of the west. This painting is created with under painting that I employ in all of my works. Color theory Tetradic Rectangle Triad III is the color palette for this painting. Oil on Canvas 24 x 36 $4000

 

 

Pedernal ViewThe high desert of norther New Mexico is one of my favorite places. I sat amongst the cholla and chamisa to sketch this view of the Pedernal in Abiquiu, NM. Under painting employed and Color theory Tetradic Rectangle V is used for the palette choices. Oil on Canvas 12 x 24 $2200
“Pedernal View”, Framed Oil on Canvas $2022 The high desert of norther New Mexico is one of my favorite places. I sat amongst the cholla and chamisa to sketch this view of the Pedernal in Abiquiu, NM. Under painting employed and Color theory Tetradic Rectangle V is used for the palette choices. Oil on Canvas 12 x 24 $2200
“Into the Mystic”, Framed oil on canvas. 18×24 $2400 As evening approached in the high desert, so did too did the storm clouds, creating this dramatic effect of light and a sense of quiet and calm. I loved how the road went off into the distance, drawing me toward what is beyond, what is just out of view, other roads to take and canyons to explore. Under painting and Color Theory Tetradic Rectangle V. Oil on Canvas 18 x 24 $2400
“Winter Visit”, Oil on Board 6×6 $150 Heading out to my studio following a snowfall, I found these small tracks that led toward and away from the bare aspen tree. Capturing the intimacy of this moment, I quickly painted the scene. Heavy paint is applied in an impasto style to capture a gestural feeling. Color Theory Tetradic Square II is used for the color palette. Oil on Canvas 12 x 12 $400

Filed Under: Artist Bios, Our Artists & Guest Artists, Susan Slomski, Susan Slomski, Susan Slomski, Susan Slomski

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Spirits in the Wind Gallery

1211 Washington Ave.
Golden, CO 80401
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spiritsinthewind@yahoo.com
303-279-1192
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Gallery
Dawn Kloba, Director
480-334-7744


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