Spirits in the Wind Gallery

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Richard Raul

Richard Raul

 

 

 

 

 

 

 

Rich says, “Using today’s digital cameras and software technology, the emotional connection to a landscape scene can be captured and thoroughly expressed through the digital process. So many times, a scene before me is so spectacular; there are no words to describe its beauty! That is the personal photographic moment I love sharing, with the hope of bringing forth a sense of ‘being there’ to my audience” which is what Rich strives for and delivers in every fine art piece of photographic work.

In addition to his love for the pursuit of iconic images, Rich thoroughly enjoys the handcrafted workflow from print to frame. Like the personal satisfaction of seeing a print job hot off the press, the same holds true for a beautiful landscape print exiting from a large format digital printer and then surrounded by a handmade frame.

Each piece of photographic art is uniquely handcrafted by Rich, a skill that sets him apart from other photographers. For Rich, it is a natural process that combines his experience as a fine art landscape photographer, printer and frame maker. The harmony of this workflow creates the organic lifestyle that defines who he is as a photographer and what makes him happy as an artist. He is forever grateful for the opportunity to share his love of nature and fine art landscape photography with local, national, and international audiences. It would be his honor to hang one of his masterpieces in your home or office.

Rich is a native of San Diego, California where he shares a family history dating back to the early 1900s. His mother is the descendant of South Dakota homesteaders who later settled in San Diego in the early 20’s. His father is the son of a former military officer in the Mexican army who migrated to the US in late 1919 after escaping his captor, Poncho Villa, during the Mexican Revolutionary War. His parents (Richs grandparents) soon met in Tucson, AZ and later settled in San Diego as well in the early 20’s.

 

After many years in San Diego and a few years in Anaheim, California, in 1968, Rich’s family moved to Albuquerque, New Mexico where he finished high school and became interested in classical guitar. In 1976 his interest in the guitar brought him to Denver to enroll in college at Metro State University for the sole purpose of seeking a music degree, but it wasn’t meant to be. In 1977 Rich was introduced to the offset printing industry. Fascinated by the printing process he took on numerous part time jobs that soon led to full time employment. By 1982 he started a small print shop where he became acquainted with the “process camera”; a large camera used to produce negatives which were essential to the offset printing process, very useful experience. By this time Rich was married with 3 kids and was using a Minolta 35mm film camera to capture photos of family and landscapes as a hobby. In 2005, following in the footsteps of the early pioneers of landscape photographers, Rich bought his first 4×5 large format film camera to teach himself the process of the art in black and white. He soon bought his first digital camera as well to focus on professional family and individual portraits. Weddings and real estate photography emerged as a new interest before returning to landscape photography as a professional in 2008. After 25 years in the printing business landscape photography became more than a hobby. The print shop was sold in 2008. Rich had his first landscape photography show at a pop-up Christmas store at a local shopping center in 2010. His love for the art has never ceased. Dedication and persistence have led him to where he is today.

For your Consideration:

 

 

Filed Under: Photography, Richard Raul, Richard Raul

Bennie Woods

Filed Under: Bennie Woods, Bennie Woods

Susan Slomski

Filed Under: Events

Tricia Bass

Filed Under: Tricia Bass, Tricia Bass

Allen Voss

ALLEN VOSS

Allen resides in Littleton, CO and has been representing his work locally since 2021. He has shown in such venues as Little Art Guild, Lone Tree Arts Center and Golden Foothills art Center. He specializes in oil landscapes, still life and portraits in oils. He is graduate of the Carder Art Academy and continued to gain his skill set under the instruction of Paul Ingbretson from Boston School and Andres Tishler working on his approach to landscapes. He is inspired by his travels, nature and life experiences. Allen views his current body of work as a constant and relentless pursuit of the “breathtaking experience”. His interest in painting and his creations in oil paintings of quality work are his passion and commitment.

 

 

 

Filed Under: Allen Voss, Allen Voss, Allen Voss

Susan Slomski

My love for oil painting incorporates my love for the landscape, for color, light and place.

Susan began studying oil painting in high school. Her first large scale still-life won The Golden Key Award from the Boston Globe. A portfolio review of her work won the Blue Ribbon from the Massachusetts College of Art. Susan went on to study fine art, majoring in Fine Art and oil painting at Skidmore College in Saratoga Springs, NY. There she studied with artists Jeff Elgin and Pat Cauley and minored in Art History. In the late 90’s Susan returned to Worcester, MA for a brief period and studied with professional artist and master color theorist Bill Griffiths at the Worcester Art Museum. Her work with Bill Griffiths strengthened her love for color and color theory which she employs in every piece.

Born and raised in Massachusetts, Susan moved to New Mexico following her Graduate Degree from Lesley College in the early 1990’s to be immersed in the landscape that inspires her and draws her in. In 1999 her work took her to Colorado where the light and landscape continue to shape her work. Susan is a member of the Heritage Fine Arts Guild and a former juried member of the Littleton Artist Guild, both in Littleton, Colorado, where she exhibits work locally.

"In the Company of Giants'An early morning hike in Zion National Park afforded me this view of high canyon walls with the deep shadows of neighboring cliff, Angels Landing. This is the second exploration of this type of composition, something large and dominant in the foreground with a clear, uninhibited blue sky, a variation from compositions that explore the great distances of the west. This painting is created with under painting that I employ in all of my works. Color theory Tetradic Rectangle Triad III is the color palette for this painting. Oil on Canvas 24 x 36 $4000
“In the Company of Giants”, Framed Oil on Canvas 24×36″ $4000 An early morning hike in Zion National Park afforded me this view of high canyon walls with the deep shadows of neighboring cliff, Angels Landing. This is the second exploration of this type of composition, something large and dominant in the foreground with a clear, uninhibited blue sky, a variation from compositions that explore the great distances of the west. This painting is created with under painting that I employ in all of my works. Color theory Tetradic Rectangle Triad III is the color palette for this painting. Oil on Canvas 24 x 36 $4000

 

 

Pedernal ViewThe high desert of norther New Mexico is one of my favorite places. I sat amongst the cholla and chamisa to sketch this view of the Pedernal in Abiquiu, NM. Under painting employed and Color theory Tetradic Rectangle V is used for the palette choices. Oil on Canvas 12 x 24 $2200
“Pedernal View”, Framed Oil on Canvas $2022 The high desert of norther New Mexico is one of my favorite places. I sat amongst the cholla and chamisa to sketch this view of the Pedernal in Abiquiu, NM. Under painting employed and Color theory Tetradic Rectangle V is used for the palette choices. Oil on Canvas 12 x 24 $2200
“Into the Mystic”, Framed oil on canvas. 18×24 $2400 As evening approached in the high desert, so did too did the storm clouds, creating this dramatic effect of light and a sense of quiet and calm. I loved how the road went off into the distance, drawing me toward what is beyond, what is just out of view, other roads to take and canyons to explore. Under painting and Color Theory Tetradic Rectangle V. Oil on Canvas 18 x 24 $2400
“Winter Visit”, Oil on Board 6×6 $150 Heading out to my studio following a snowfall, I found these small tracks that led toward and away from the bare aspen tree. Capturing the intimacy of this moment, I quickly painted the scene. Heavy paint is applied in an impasto style to capture a gestural feeling. Color Theory Tetradic Square II is used for the color palette. Oil on Canvas 12 x 12 $400

Filed Under: Artist Bios, Our Artists & Guest Artists, Susan Slomski, Susan Slomski, Susan Slomski, Susan Slomski

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Spirits in the Wind Gallery

1211 Washington Ave.
Golden, CO 80401
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spiritsinthewind@yahoo.com
303-279-1192
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Gallery
Dawn Kloba, Director
480-334-7744


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