COMING SOON!
Rob Hammer Photography
Meet the Artist:
Biography:
WILD WEST
For your Consideration:
Premier Art of the New West
Marquetry Landscapes of THE WEST .
Meet our artist:
Lynne Buss
My education and early work background are in manufacturing and mechanical engineering. After several years, I found myself seeking more creative work. Marquetry has been the perfect medium for me. It allows me to work in a tangible way, with a broad variety of woods to depict the soothing natural world of mountain scenery. Since 1985, I have shown my work at art shows, exhibitions and galleries. By continually seeking improvements in design, technique and materials, marquetry provides me with a rich source of problem solving opportunities that drive the creative process forward.
Capturing the beauty of mountains, lakes and valleys in natural wood varieties is my specialty. The variety of colors, textures and figuring available in the wood world is more extensive than most of us realize. I select from among the natural colors of individual wood species to bring out the best contrasts between all features of the design. My hope is that my sceneries will be a reminder of the spectacular beauty of our natural world.
Marquetry Landscapes of THE WEST defined:
Lynne’s Technique:
Working from a prepared line drawing of the scenery being created, pieces of carefully selected exotic and domestic veneers are roughly cut for each feature of the design. A “saw pad” is constructed layer by layer incorporating each of the veneer pieces according to its place within the design. Using a motorized scroll saw, each feature is then cut away from the saw pad in turn. Once cutting is complete, the pieces of the” puzzle” are then sorted and taped together. The scene is then glued, applied to a backing board and clamped in a vacuum clamp. When secure, all the tape is removed and allowed to fully dry before sanding and finishing. Each piece is then mounted in a handcrafted frame. The back is finished with black felt, D hangers, framing wire and a description of the woods used within the scene.
Details of Original Marquetry :
This fascinating geologic feature is seen near Boulder.
The wood types seen in this print of the original marquetry scene are: Sky – Purpleheart
Moon – English Sycamore Stars-Cubic Zirconia Mountains – Wenge
Flatirons – Figured Red Oak Flatirons Hills – Bloodwood Plains – Curly Maple
Cottonwoods – African Satinwood
Details of Original Marquetry:
Named for explorer Zebulon Pike, this majestic mountain graces the Colorado Springs skyline.
Sky-Purpleheart Stars-Cubic Zirconia Moon-Sycamore
Mountain snow-Sycamore and Curly Maple Mountain-Makore Foothills-Wenge
Rock formations-Buttonwood and Curly Maple Shadows-Bloodwood
Foreground-Walnut Stump Frame-“Java” Stained Solid Red Oak
“As an impressionist landscape painter, I find my inspiration in the beauty of Colorado’s mountain streams and Southwest skies. When I paint, I try to convey both the visual essence of the scenery and my emotional connection with the land. I want to invite the viewer to experience the same peace and contentment I feel when painting, and possibly, to find their own story within the landscape.
By intentionally leaving certain details open to interpretation, I encourage viewers to actively engage with the artwork. Working primarily with palette knives and paint scrapers, I build up my paintings layer by layer. Through the additive process, I explore texture, color, and mark-making.
My hope is that my paintings transport viewers to the serene and awe-inspiring landscapes of Colorado, enabling them to pause, reflect, and find solace in the beauty that surrounds us.”
Andrew currently resides in Arvada, Colorado. He finds his artistic inspiration in the breathtaking landscapes that surround him. Embracing the “plein air” tradition, he ventures out to paint smaller works on location, capturing the essence of the Colorado scenery. For his larger pieces, Andrew uses the sketches and photographs created during his explorations and brings the scenes to life in his studio.
Drawing on a range of palette knives and paint scrapers, Andrew employs loose and expressive marks in his paintings, creating a distinct texture and visual interest. He meticulously adds layer upon layer to his artwork, and then skillfully scrapes back into the work, resulting in captivating depth and complexity.
Andrew’s artistic journey began with a solid foundation in both Math and Art, earning degrees from Calvin University. He received classical training in representational art, honing his skills in drawing and painting with a focus on realism. During this time, he even shared his expertise by teaching portraiture. However, his move to the Southwest ignited a transformative shift in his style, propelling him from realism into the heart of Impressionism.
Over the past several years, Andrew dedicated himself to developing his loose, energetic style, seeking guidance from various landscape and plein air painters. While he has been engaged in the art world for decades, he considers himself at the beginning of his professional artistic journey. Despite this, his artwork has already found a home in the collections of private art enthusiasts throughout the United States.
Three Horizons, Moab
The skyline west of the Rockies is like nowhere else in this country. Pillars of red stone stand scattered through the land. The Rockies tower blue above them. My children groan as I get out of the car for yet another picture.
Monument Canyon
On the western slope of Colorado, the landscape begins to look a bit more like Moab. The hanging canyons of Colorado National Monument are stunning.
Chautauqua Trail
I sometimes forget how beautiful Boulder can be. Today, I went hiking in Chautauqua park. I didn’t get very far up the trail before deciding to paint. With all the rain this year, the colors were on full display.
Open Space in the Fall
Walking the open spaces centers me. Nature helps put things in perspective. I’m so thankful for these pockets of calm in our community. Pearce Park
Surrounded by Color
One of the iconic views of Golden–looking West from the bridge on Washington. Even after years of painting it, this view doesn’t get old.
Morning Vigil
Cradling my morning coffee in my hands, I sit by the mountain stream watching the sun slowly paint the rock face orange and red. Hay creek, near the Twin Eagles trailhead.
Clear Creek, Golden
One of the iconic views of Golden–looking West from the bridge on Washington. Even after years of painting it, this view doesn’t get old.
Dry Gulch
This gulch is a small walk from the Eastern entrance. Pinyon juniper and sage brush seem to grow from the rocks themselves: Colorado National Monument
Spirits in the Wind Gallery
1211 Washington Ave.
Golden, CO 80401
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spiritsinthewind@yahoo.com
303-279-1192
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Gallery
Dawn Kloba, Director
480-334-7744